Geoffrey Samuel – Cinema and Law – TEN DOUBLE BILLS FOR THE COMPARATIST (CONTINUED): IMITATING (FORMS OF) LIFE

The worlds of law and of film share a phenomenon caused by the rise of fascism in Europe during the first half of the twentieth century. Law faculties (in the UK and in North America) and Hollywood studios saw an influx of emigres fleeing the Nazis and this influx had a profound effect both on … Continue reading Geoffrey Samuel – Cinema and Law – TEN DOUBLE BILLS FOR THE COMPARATIST (CONTINUED): IMITATING (FORMS OF) LIFE

From the “Democratic Deficit” to a “Democratic Surplus”: Constructing Administrative Democracy in Europe

When academics, policymakers, media commentators, and citizens talk about a European Union (EU) “democratic deficit,” they often miss part of the story. My new book, From the “Democratic Deficit” to a “Democratic Surplus”: Constructing Administrative Democracy in Europe (Oxford University Press, 2017), challenges the conventional narrative of an EU “democratic deficit.” It argues that EU … Continue reading From the “Democratic Deficit” to a “Democratic Surplus”: Constructing Administrative Democracy in Europe

Geoffrey Samuel – Cinema and Law – Ten double Bills for the comparatist (continued) : I’d rather have the blues (than what I got)

This third blog on double bills for the comparatists comes with a very strong trigger warning – both metaphorical and literal. The two films about to be discussed will certainly not be to every comparative lawyer’s taste – they are bleak and violent – and indeed I have hesitated about including them in the top … Continue reading Geoffrey Samuel – Cinema and Law – Ten double Bills for the comparatist (continued) : I’d rather have the blues (than what I got)

Geoffrey Samuel – Cinema and Law – ten films for the Comparatist? (2) – Out of the Past and Letter From an Unknown Woman

In a previous blog I looked at four films (two double bills) whose themes for the comparatist were, first, the notion of persona and, secondly, the confrontation between cultures. In this third double bill I would like to suggest two Hollywood movies from the 1940s whose plots are very different at one level but, at … Continue reading Geoffrey Samuel – Cinema and Law – ten films for the Comparatist? (2) – Out of the Past and Letter From an Unknown Woman

Geoffrey Samuel – Cinema and Law – ten films for the Comparatist?

The editor has kindly invited me to make contributions to this excellent BACL site and I must start by thanking not just John Bell, who has of course reported here on what I call ‘My Saturday’ (see Professor John Bell’s blog), but all the contributors to the event in Paris organised by my colleague Dr … Continue reading Geoffrey Samuel – Cinema and Law – ten films for the Comparatist?